The East Jazz Healing Society: “I’m rehearsing with Eric at his loft — myself, Tony Williams, Richard... »
“I’m rehearsing with Eric at his loft — myself, Tony Williams, Richard Davis and a trumpet player named Eddie Armour. We were rehearsing for about an hour and a half. It was a cold winter day. All of a sudden, right in the middle of the tune, the trumpet player, Eddie, starts cussing and packing up his horn. We get to the end of the tune and Eddie says to Eric, ‘You’re nasty.’ And Eric was real sweet, just like Trane was — you know, a real sweet cat. Eric said, ‘What?’ Eddie says, ‘I don’t like you, I don’t like your music, and I’m not going to play this gig. I’m out of here. F you. F this band. That’s it. How do you like that?’
We’re all standing there thinking, ‘My God, how can this cat say this?’ And he continues to put his horn away, clip the fasteners on his trumpet case. He grabs his coat, pulls his hat down and goes stomping to the door. He gets to the door — I mean, just yanks it open. The door hits the wall. Bam! He’s just about to go out the door.
Eric had just been sitting there with his head down. We’re all thinking, ‘Eric must feel horrible. What’s he going to do?’ All of a sudden, Eric says, ‘Hey, Eddie.’ Eddie turns around and says [in growling voice] ‘What?’ Eric, with the most conviction and love, says, ‘If I can ever do anything you need, please don’t hesitate to call me. I’ll be there for you anytime.’
Whoa! And Eric was serious. With that, this cat really got upset — he slammed the door and stormed out. We just stood there all quiet. It was like he Sunday punched him with love. The lesson was, ‘Love conquers all,’ you know? It’s like the devil couldn’t take that love, and this is what Eric was showing him. He went out that door with so much hate, but with a message that Eric still cared about him.
This was one of the biggest lessons Eric showed me — that if you can forgive somebody right when they do the most horrible thing they can to you, you just immediately take the weight of what they did off your back and just make it this beautiful experience, so that you can go on and do the things you want to do during the day and not waste time with negative feelings and negative thoughts.
Well, we sat there quiet for two or three minutes — didn’t say anything. Then we went on with rehearsal and we never played so hard in our lives. We were just overcome. Then Eric called Freddie Hubbard, and that’s when we did Out to Lunch.”
~ Bobby Hutcherson on Eric Dolphy
[left to right] Hank Mobley, unknown pianist, and Bobby Hutcherson circa early to mid 1960s (photo by Pannonica de Koenigswarter, from the book Three Wishes)
One Step Beyond by Jackie McLean. Sidemen are Grachan Moncur III, Tony Williams, Bobby Hutcherson and Eddie Khan.
Bobby Hutcherson - Patterns (A somewhat difficult LP to find. The desirable pressing is the 1995 Connoisseur issue. It’s the one pictured.)
Lee Morgan. That’s Bobby Hutcherson in the background.
Photo by Francis Wolff
Gatefold cover of Grachan Moncur III’s ‘Evolution’. Francis Wolff always delivers.