nedahoyin:

frank-e-fighting-words:

frank-e-fighting-words:

super-eklectic1:

the slide…

I’m not going to lie, I can look at this all night.

this can go back on the front of my blog now

is this a man or a woman..? who is this..?

This is Terence Trent D’Arby and he’s a man. I was like, who doesn’t know who Terence Trent D’Arby is? Then I realized that this was like 25 years ago and you probably weren’t alive. He used to be a big deal. Tumblr lets you know about generation gaps quickly.

Lemme take my old ass to bed…lol

Meet Matt. He’s one of the friendly Yeomen Warders (Beefeaters) at the Tower of London.

Meet Matt. He’s one of the friendly Yeomen Warders (Beefeaters) at the Tower of London.

mybutbeautiful:

He was my friend, a mentor, the person who showed me a pathway to what I have since called a profession. I got my first taste of filmmaking through him, but I never got to do that which I longed to do - shoot for him.
His films are legendary and yet his name is not a household one like it should be.
He passed away on May 12th, 2013 and was buried on May 17th. I went to his funeral and afterward I had to go somewhere special to remember him in my own way.
There I found his spirit crashing against the rocks much the way he did to get his films made and seen. This is how I will remember him as well as his films.
His name was BILL MILES.
(Please take a look at his Obit in The New York Times)

mybutbeautiful:

He was my friend, a mentor, the person who showed me a pathway to what I have since called a profession. I got my first taste of filmmaking through him, but I never got to do that which I longed to do - shoot for him.

His films are legendary and yet his name is not a household one like it should be.

He passed away on May 12th, 2013 and was buried on May 17th. I went to his funeral and afterward I had to go somewhere special to remember him in my own way.

There I found his spirit crashing against the rocks much the way he did to get his films made and seen. This is how I will remember him as well as his films.

His name was BILL MILES.

(Please take a look at his Obit in The New York Times)

Listening to old records, one often forgets how young some of these guys were. Take for instance Ray Draper’s Tuba Sounds. Draper was only 16 years old when he recorded it. He was just a kid. It’s really remarkable.

Listening to old records, one often forgets how young some of these guys were. Take for instance Ray Draper’s Tuba Sounds. Draper was only 16 years old when he recorded it. He was just a kid. It’s really remarkable.

soulbrotherv2:

When people think of the martial arts, immediately the Eastern martial arts tradition and disciplines come to mind, but did you know that Africa had its own martial arts traditions and disciplines as well?  Get your weight up!  Knowledge is power!
Fighting for Honor: The History of African Martial Art in the Atlantic World (Carolina Lowcountry and the Atlantic World) by T. J. Desch Obi
The presence of African influence and tradition in the Americas has long been recognized in art, music, language, agriculture, and religion. T. J. Desch Obi explores another cultural continuity that is as old as eighteenth-century slave settlements in South America and as contemporary as hip-hop culture. 
In this thorough survey of the history of African martial arts techniques, Obi maps the translation of numerous physical combat techniques across three continents and several centuries to illustrate how these practices evolved over time and are still recognizable in American culture today. Some of these art traditions were part of African military training while others were for self-defense and spiritual discipline.
Grounded in historical and cultural anthropological methodologies, Obi’s investigation traces the influence of well-delineated African traditions on long-observed but misunderstood African and African American cultural activities in North America, Brazil, and the Caribbean. He links the Brazilian martial art capoeira to reports of slave activities recorded in colonial and antebellum North America. Likewise Obi connects images of the kalenda African stick-fighting techniques to the Haitian Revolution. Throughout the study Obi examines the ties between physical mastery of these arts and changing perceptions of honor.
Including forty-five illustrations, this rich history of the arrival and dissemination of African martial arts in the Atlantic world offers a new vantage for furthering our understanding of the powerful influence of enslaved populations on our collective social history.

T. J. Desch Obi was my professor in college. A truly brilliant mind. I learned a tremendous deal from him. He was always available to discuss African history, politics and the diaspora in general at length. He expected the absolute best from his students and believed in them. You couldn’t help but be motivated around him. Mediocrity wasn’t an option.
He also had an interesting teaching style. We formed a circle so everyone could see each other and he could interact with the class equally. None of that hiding in the back nonsense that some students do. Everyone was on the spot.

soulbrotherv2:

When people think of the martial arts, immediately the Eastern martial arts tradition and disciplines come to mind, but did you know that Africa had its own martial arts traditions and disciplines as well?  Get your weight up!  Knowledge is power!

Fighting for Honor: The History of African Martial Art in the Atlantic World (Carolina Lowcountry and the Atlantic World) by T. J. Desch Obi

The presence of African influence and tradition in the Americas has long been recognized in art, music, language, agriculture, and religion. T. J. Desch Obi explores another cultural continuity that is as old as eighteenth-century slave settlements in South America and as contemporary as hip-hop culture.

In this thorough survey of the history of African martial arts techniques, Obi maps the translation of numerous physical combat techniques across three continents and several centuries to illustrate how these practices evolved over time and are still recognizable in American culture today. Some of these art traditions were part of African military training while others were for self-defense and spiritual discipline.

Grounded in historical and cultural anthropological methodologies, Obi’s investigation traces the influence of well-delineated African traditions on long-observed but misunderstood African and African American cultural activities in North America, Brazil, and the Caribbean. He links the Brazilian martial art capoeira to reports of slave activities recorded in colonial and antebellum North America. Likewise Obi connects images of the kalenda African stick-fighting techniques to the Haitian Revolution. Throughout the study Obi examines the ties between physical mastery of these arts and changing perceptions of honor.

Including forty-five illustrations, this rich history of the arrival and dissemination of African martial arts in the Atlantic world offers a new vantage for furthering our understanding of the powerful influence of enslaved populations on our collective social history.

T. J. Desch Obi was my professor in college. A truly brilliant mind. I learned a tremendous deal from him. He was always available to discuss African history, politics and the diaspora in general at length. He expected the absolute best from his students and believed in them. You couldn’t help but be motivated around him. Mediocrity wasn’t an option.

He also had an interesting teaching style. We formed a circle so everyone could see each other and he could interact with the class equally. None of that hiding in the back nonsense that some students do. Everyone was on the spot.

bainer:

Sonny Clark at Stanley Turrentine’s Stan “The Man” Turrentine session, NYC January 1960 (photo by Chuck Stewart)

bainer:

Sonny Clark at Stanley Turrentine’s Stan “The Man” Turrentine session, NYC January 1960 (photo by Chuck Stewart)

Why Outsourcing is Bad for Business »

Savages - Silence Yourself + I Am Here

Born on this day: Jackie McLean
Photo by Francis Wolff (source)

Born on this day: Jackie McLean

Photo by Francis Wolff (source)

mybutbeautiful:

Encounter with a younger self…
AMIRI BARAKA
(Director Melissa Haizlip is next to him)
While shooting a documentary work in progress titled MR. SOUL

Looking forward to the finished product Henry. Cheers.

mybutbeautiful:

Encounter with a younger self…

AMIRI BARAKA

(Director Melissa Haizlip is next to him)

While shooting a documentary work in progress titled MR. SOUL

Looking forward to the finished product Henry. Cheers.

While walking around Croydon, a bunch of kids ran up to me and asked if I was an American. They then insisted that I take some photos of them with my cousin’s wife. I obliged.

“A lot of people don’t know anything about the North. In fact, they don’t even know Nigeria. The North was a wonderful, peaceful country where Muslims and Christians coexisted. The nightclubs overflowed every night in Kaduna and we didn’t know anything about separate groups called “Muslims” or “Christians.” Like I said, there were seven or eight active bands in town. Chubby Checker came to play in Kaduna in those years. James Brown came to play. I remember standing right next to him and something happened and it was like, James Brown was in tears. His wife was a half-caste and one of the boys walked up to him and—I remember this clearly—the boy walks up to him and says, “Soul Brother Number One, how come your wife is white?” And James Brown was in tears, he said “No, she ain’t white! She ain’t white! SHE AIN’T WHITE!” [laughs]. But what did we know in those days? Any half-caste was white to us! And the boys were so disappointed; they expected his wife to be black because he sang “I’m Black and Proud.” [laughs]”
An excerpt from Uchenna Ikonne’s interview of Nigerian singer/songwriter Bongos Ikwue. Click here to read it.

A lot of people don’t know anything about the North. In fact, they don’t even know Nigeria. The North was a wonderful, peaceful country where Muslims and Christians coexisted. The nightclubs overflowed every night in Kaduna and we didn’t know anything about separate groups called “Muslims” or “Christians.” Like I said, there were seven or eight active bands in town.

Chubby Checker came to play in Kaduna in those years. James Brown came to play. I remember standing right next to him and something happened and it was like, James Brown was in tears. His wife was a half-caste and one of the boys walked up to him and—I remember this clearly—the boy walks up to him and says, “Soul Brother Number One, how come your wife is white?” And James Brown was in tears, he said “No, she ain’t white! She ain’t white! SHE AIN’T WHITE!” [laughs]. But what did we know in those days? Any half-caste was white to us! And the boys were so disappointed; they expected his wife to be black because he sang “I’m Black and Proud.” [laughs]

An excerpt from Uchenna Ikonne’s interview of Nigerian singer/songwriter Bongos Ikwue. Click here to read it.

nigeriancoverproject:

Rokia Traoré - Beautiful Africa

nigeriancoverproject:

Rokia Traoré - Beautiful Africa

dynamicafrica:

When Nigerian-American writer Nnedi Okorafor watched the South African sci-fi film District 9, she was one of many to be angered by its “abysmal stereotyping” of Nigerians.

The film, which was nominated for an Oscar, caused an outcry after its release in 2009, with the Nigerian government demanding an apology from filmmakers and banning it from local cinemas.
Okorafor put her anger to a more positive purpose, using it as the inspiration for an ambitious new novel, Lagoon.
She describes Lagoon, as “a story about humanity at the crossroads between the past, present, and future, Lagoon touches on political and philosophical issues in the rich tradition of the very best science fiction.”
We caught up with her to discuss the new project:
Tell us about the book?
It’s about an alien invasion in the city of Lagos and how Lagosians of all walks of life handle it.
Why did you decide to write it?
I started writing it as a screenplay for Nollywood director Tchidi Chikere. He and I were both deeply irritated with the South African science fiction film District 9′s abysmal stereotyping of Nigerians. Once I started writing it, it quickly became something other than a response to District 9; it became its own story with its own soul.
How happy were you to have it acquired by publishers Hodder & Stoughton?
I was ecstatic when Hodder & Stoughton made the offer. Lagoon is an ambitious novel. It’s biting political satire, creative, literary, it features many different points of view (which is very different from the stories I usually I write. I prefer to stay with one character), there’s a lot of Pidgin English, and it’s got aliens in Lagos. Because of all this, I didn’t expect it to be an easy sell, if it sold at all. But Anne Perry (the editor who acquired it) immediately connected with and understood what I was doing in this novel. It was like planets aligning- unlikely, but when it happened, logical and right.
By calling it Lagoon, one would expect a lot of adventures with water (and maybe flooding). Is that a particular fascination for you?
Oooooh yes, there’s a lot that happens in the water (though much of it is off the coast where the “shop” lands. I was initially going to have it land in the Lagos Lagoon, but I needed deeper water). I was originally going to call it Lagos. But then I could just hear certain Nigerians snarking, “Who is this American Nigerian to have the nerve to name her novel after my city?” I wasn’t in the mood for that conversation, so I translated the word “lagos” to the English meaning of it name. “Lagos” means “lagoon” in Portuguese. And yes, there is flooding.
I love and am terrified of the water, particularly the ocean. I go to the ocean to calm down, to reconnect with the creator, to just be happy. I like swimming, too, of course, haha. And I love ocean life. I’m fascinated that so much of it remains unexplored by human beings. Diluted seawater consisted of nearly the same concentration of elements and minerals as blood plasma. They’ve got the same amount of sodium, too. Sea water has even been used successfully in blood transfusions in animals. We all came from the water. As is said more than once in the novel, “Water is life”.As someone who has also written for kids, I’m wondering if there is any consideration for them in this one, of if it’s a totally adult novel.
This one is purely an adult novel, though I think some of my older teen readers will enjoy it, too (18+).
So I read that it’s going to be a three-book deal. Is that a trilogy, or just a chance to get three different books published at a time of your choosing?
It’s not a trilogy. There may be a part two, who knows. But that’s not my original intent. I don’t tend to do sequels; too many stories in my head. I know what the second novel with Hodder & Stoughton will be. That one is linked to (the earlier novel) Who Fears Death.
(source)

dynamicafrica:

When Nigerian-American writer Nnedi Okorafor watched the South African sci-fi film District 9, she was one of many to be angered by its “abysmal stereotyping” of Nigerians.

The film, which was nominated for an Oscar, caused an outcry after its release in 2009, with the Nigerian government demanding an apology from filmmakers and banning it from local cinemas.

Okorafor put her anger to a more positive purpose, using it as the inspiration for an ambitious new novel, Lagoon.

She describes Lagoon, as “a story about humanity at the crossroads between the past, present, and future, Lagoon touches on political and philosophical issues in the rich tradition of the very best science fiction.”

We caught up with her to discuss the new project:

Tell us about the book?

It’s about an alien invasion in the city of Lagos and how Lagosians of all walks of life handle it.

Why did you decide to write it?

I started writing it as a screenplay for Nollywood director Tchidi Chikere. He and I were both deeply irritated with the South African science fiction film District 9′s abysmal stereotyping of Nigerians. Once I started writing it, it quickly became something other than a response to District 9; it became its own story with its own soul.

How happy were you to have it acquired by publishers Hodder & Stoughton?

I was ecstatic when Hodder & Stoughton made the offer. Lagoon is an ambitious novel. It’s biting political satire, creative, literary, it features many different points of view (which is very different from the stories I usually I write. I prefer to stay with one character), there’s a lot of Pidgin English, and it’s got aliens in Lagos. Because of all this, I didn’t expect it to be an easy sell, if it sold at all. But Anne Perry (the editor who acquired it) immediately connected with and understood what I was doing in this novel. It was like planets aligning- unlikely, but when it happened, logical and right.

By calling it Lagoon, one would expect a lot of adventures with water (and maybe flooding). Is that a particular fascination for you?

Oooooh yes, there’s a lot that happens in the water (though much of it is off the coast where the “shop” lands. I was initially going to have it land in the Lagos Lagoon, but I needed deeper water). I was originally going to call it Lagos. But then I could just hear certain Nigerians snarking, “Who is this American Nigerian to have the nerve to name her novel after my city?” I wasn’t in the mood for that conversation, so I translated the word “lagos” to the English meaning of it name. “Lagos” means “lagoon” in Portuguese. And yes, there is flooding.

I love and am terrified of the water, particularly the ocean. I go to the ocean to calm down, to reconnect with the creator, to just be happy. I like swimming, too, of course, haha. And I love ocean life. I’m fascinated that so much of it remains unexplored by human beings. Diluted seawater consisted of nearly the same concentration of elements and minerals as blood plasma. They’ve got the same amount of sodium, too. Sea water has even been used successfully in blood transfusions in animals. We all came from the water. As is said more than once in the novel, “Water is life”.

As someone who has also written for kids, I’m wondering if there is any consideration for them in this one, of if it’s a totally adult novel.

This one is purely an adult novel, though I think some of my older teen readers will enjoy it, too (18+).

So I read that it’s going to be a three-book deal. Is that a trilogy, or just a chance to get three different books published at a time of your choosing?

It’s not a trilogy. There may be a part two, who knows. But that’s not my original intent. I don’t tend to do sequels; too many stories in my head. I know what the second novel with Hodder & Stoughton will be. That one is linked to (the earlier novel) Who Fears Death.

(source)

kickmag:

blackartiststudio:

Wangechi Mutu | Collagist, Afrofuturist, Warrior Woman

∆ Photographer | Chris Sanders [pic 1]

(via reginaagu)

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